Black Letter PressSetting the type

Letterpress studio Edinburgh

Every letter, pressed into the page.

Wedding stationery, posters and workshops, set by hand in lead and wood and printed on a 1912 cast-iron platen press.

Scroll to start the press

01 From case to page

From case to page

One, the type case

A drawer of tiny letters.

Every letter is a block of lead alloy, cast a century ago and sorted by hand into a wooden case. Capitals, figures and a few points of punctuation. If a letter is not in the case, it cannot be in the print.

43 characters, one case

Two, setting the line

One letter at a time.

Each sort comes out of its box and drops into a brass composing stick, left to right, nick outwards. The knee slides up to fix the measure. A name takes a minute. A poster takes a morning.

Brass stick, 12 inch measure

Three, locking up

Squeezed until it holds.

The line goes into an iron chase with wooden furniture packed around it. Brass quoins are turned with a key until the whole forme lifts as one solid block. If a letter is going to fall out, it falls out here.

Four quoins, one key

Four, inking

Thin, even and glossy.

A knife of ink is spread on the turning disc. Three rollers pick it up, travel down the forme and leave a film on the face of every letter and nothing on the shoulders. Too much and the letters fill in. Too little and the print breaks.

One pass, three rollers

Five, the impression

Pressed, not printed.

The platen closes and the paper meets the type with a few tonnes behind it. The ink transfers and the letters bite into the cotton, so you can read the page with your fingertips. Then the sheet peels away.

Soft cotton, deep bite

Sorts in the case0

I / V

02 Your turn

Set your own line.
Then print it.

Type a name, a date or a few words. The sorts leave the case, line up in the stick, lock into the chase and the press pulls your page. Choose ink and paper and the scene follows.

Letters, numbers and & . , ! ? ' - only. We set everything in capitals.

Ink

Paper

Sorts
9
Ink
Vermilion
Paper
Cream cotton

Drag the scene to look around

03 The studio

Invitations, posters and a Saturday with us.

Everything is printed in Edinburgh, one sheet at a time, on cotton paper from a mill in Fife. Proofs are pulled on the press, never on a screen.

Wedding stationery

Invitations

A two-colour invitation, an RSVP card and a lined envelope, set in your choice of faces and pressed deep into 600gsm cotton.

  • Save the date cards £2.60
  • Invitation suite, 50 or more £6.40 a set
  • Order of service, 4 pages £3.10

Proofs within 5 working days

Editions of fifty

Posters

Wood type and lead, one or two inks, printed in small editions for gigs, readings, shops and friends. Numbered by hand.

  • A3, one ink, edition of 50 £280
  • A3, two inks, edition of 50 £395
  • A2 single print, signed £85

Printed in 10 working days

Saturdays at the studio

Workshops

Three hours at the bench. You set your own line, ink the press, pull your own prints and take home twelve of them.

  • Set Your Own Name, 3 hours £68
  • Evening session with wine £54
  • Private party for six £360

Six places on each session

04 The small print

Slow on purpose, sharp on paper.

The press was cast
0
in Glasgow, and still pulling a clean sheet
Weddings printed
0
since we opened the doors on Elm Row
Drawers of type
0
lead, wood and a few brass ornaments
Impression depth
0hundredths of a mm
enough to read with your thumb

05 Visit

Book a workshop.

Pick a Saturday and we will keep you a place at the bench. Tell us about a wedding or a poster in the same note and we will bring a sample book.

We reply within a working day. A concept page, nothing is bookable.

Black Letter Press Unit 4, Elm Row Yard
Edinburgh EH7 4AA
0131 555 0148
hello@blackletterpress.example Tuesday to Saturday, 10 to 5
Workshops on Saturdays